Wednesday, March 11, 2009
Your first draft is always going to suck
It’s an interesting thing about blogging – it’s made us able to get a glimpse of hundreds of people’s lives on a moment-by-moment basis. I don’t have a lot of time (well, more to the point, I have no time at all) to read other blogs; I can barely keep up with posting to Murderati and my own blog. But I do click through on people’s signature lines sometimes to see what they’re up to; it’s an extension of my natural writerly voyeurism.
And a certain pattern has emerged with the not-yet-published writers I spy on.
It goes something like this: “My current WIP is stalled, so I’ve been working on a short story.” “I’ve gotten nothing done on my WIP this week.” “I have reached the halfway point and have no idea where to go from here.” “I had a great idea for a new book this week and I’ve been wondering if I should just give up on my WIP and start on this far superior idea.”
Do you start to see what I’m seeing? People are getting about midway through a book, and then lose interest, or have no idea where to go from where they currently are, or realize that a different idea is superior to what they’re working on and panic that they’re wasting their time with the project they’re working on, and hysteria ensues.
So I wanted to take today’s blog to say this, because it really can’t be said often enough.
Your first draft always sucks.
I’ve been a professional writer for almost all of my adult life and I’ve never written anything that I didn’t hit the wall on, at one point or another. There is always a day, week, month, when I will lose all interest in the project I’m working on. I will realize it was insanity to think that I could ever write the fucking thing to begin with, or that anyone in their right mind would ever be interested in it, much less pay me for it. I will be sure that I would rather clean houses (not my own house, you understand, but other people’s) than ever have to look at the story again.
And that stage can last for a good long time. Even to the end of the book, and beyond, for months, in which I will torture my significant other for week after week with my daily rants about how I will never be able to make the thing make any sense at all and will simply have to give back the advance money.
And I am not the only one. Not by a long shot. It’s an occupational hazard that MOST of the people I know are writers, and I would say, based on anecdotal evidence, that this is by far the majority experience - even though there are a few people (or so they say) who revise as they’re going along and when they type “The End” they actually mean it. Hah. I have no idea what that could possibly feel like,
Even though you will inevitably end up writing on projects that SHOULD be abandoned, you cannot afford to abandon ANY project. You must finish what you start, no matter how you feel about it. If that project never goes anywhere, that’s tough, I feel your pain. But it happens to all of us. You do not know if you are going to be able to pull it off or not. The only way you will ever be able to pull it off is to get in the unwavering, completely non-negotiable habit of JUST DOING IT.
Your only hope is to keep going. Sit your ass down in the chair and keep cranking out your non-negotiable minimum number of daily pages, or words, in order, until you get to the end.
This is the way writing gets done.
Some of those pages will be decent, some of them will be unendurable. All of them will be fixable, even if fixing them means throwing them away. But you must get to the end, even if what you’re writing seems to make no sense of all.
You have to finish.
I’ve had a couple of weeks in which my page marker has not moved past the number 198 because I keep deleting. Nothing I write makes any sense. I don’t have enough characters, I’m not giving the characters I have enough time in these scenes, I have no conception of yacht terminology and am spending hours of my days researching only to find I’m more confused about how things work on a boat than when I started.
I have Hit. The. Wall.
Yeah, yeah, cue World’s Smallest Violin.
Because – so what?
It always happens. I’m not special.
At some point you will come to hate what you're writing. That's normal. That pretty much describes the process of writing. It never gets better. But you MUST get over this and FINISH. Get to the end, and everything gets better from there, I promise. You will learn how to write in layers, and not care so much that your first draft sucks. Everyone's first draft sucks. It's what you do from there that counts.
That is not to say you can't set aside a special notebook and take 15 minutes a day AFTER you've done your minimum pages on the main project, and brainstorm on that other one. I'm a big fan of multitasking.
But working on that project is your reward for keeping moving on your main project.
Finish what you start. It’s your only hope.
Previous articles on story structure: (all also linked at right hand side of blog under WRITING ARTICLES).
Story Structure 101 - The Index Card Method
Screenwriting - The Craft
What's Your Premise?
What is High Concept?
Why the Three Act Structure?
Elements of Act One
Elements of Act Two
Elements of Act Two, Part 2
Elements of Act Three, Part 1
Elements of Act Three, Part 2
What Makes a Great Climax?
Visual Storytelling Part 1
Visual Storytelling Part 2
Creating Suspense, Part 2
Fairy Tale Structure and the List
What Makes a Great Villain?
Villains: The Forces of Antagonism