Tuesday, February 27, 2007

Internet resources for writers

As promised, here's my list of essential resources for authors, screenwriters, and TV writers. I'll keep adding to it.


1. First, I highly recommend that every aspiring and new writer join these writing communities:

- If you’re an author: Backspace, the Writers’ Place: http://www.bksp.org/
Backspace is a message board for pre-published and published authors. Editors and agents are also members. You can post any question on any aspect of writing and publishing and two dozen informed answers in a day. It’s also a great, supportive community that exchanges and critiques work. There is a one-time $70 fee to join.

- If you’re an author: Murder Must Advertise – a free Yahoo list that discusses publishing and book promotion. No matter what your genre, you can benefit from this wealth of information.

- If you’re a TV writer: TVwriter.com (free) http://tvwriter.com/
Message board and contests for aspiring TV writers.

- If you’re a screenwriter: Wordplayer.com, http://wordplayer.com/ Zoetrope.com (both free)

- And specifically for horror writers: Shocklines.com (free)

These communities of writers will point you toward a wealth of other resources.

Also, if you've just sold your book (congratulations!) you will want to read Jacqueline Deval's excellent PUBLICIZE YOUR BOOK cover to cover for a wealth of information on promotion.

2. You should also join the professional organization in your genre (s) – and think inclusively about which genres you belong to. Most of these organizations have an associate membership status for pre-published writers – although some do not. RWA and Sisters in Crime do not require professional credits.

- Sisters in Crime
- Mystery Writers of America
- International Thriller Writers http://www.thrillerwriters.org/index.php
- Horror Writers of America http://www.horror.org/
- Romance Writers of America
- Science Fiction and Fantasy Writers
- Society of Children’s Book Writers and Illustrators

Once you have joined one of these organizations, you can join local chapters and/or online chapters, news groups, and reading groups in your own genre. I particularly recommend the Guppies (Great Unpublished) group, which you can join once you join Sisters in Crime, and which has propelled dozens of members to published status.

3. Here are just some great general blogs on various aspects of the publishing business. These and more are also conveniently compiled at Murderati: http://www.murderati.typepad.com/

- Confessions of an Idiosyncratic Mind http://www.sarahweinman.com/
- A Newbie’s Guide to Publishing http://jakonrath.blogspot.com/
- Bookbitch http://bookbitch.blogspot.com/
- Evil Editor http://evileditor.blogspot.com/
- Miss Snark http://misssnark.blogspot.com/ (archives)
- Buzz, Balls and Hype http://mjroseblog.typepad.com/buzz_balls_hype/

4. And every aspiring author should also go to Publisher’s Weekly http://www.publishersweekly.com/ and sign up for e newsletters in your particular field (sign up at bottom of home page).


Read entire posts here.


Every author needs a professional website and/or blog. You should set this up BEFORE you publish, because many editors and agents are now immediately Googling new authors who submit to see if they have a web presence.

- To set up a website:

- Network Solutions (networksolutions.com) is a low-cost, build-it-yourself web hosting and software service with great customer support that requires no knowledge of code. Believe me, if I can do it, you can.

- If you have more money to spend, Cincinnatimedia.com is the best professional author website designer I've found at the lowest cost. They did my website http://alexandrasokoloff.com and I can't say enough good things about them. There are other examples here: http://www.cincinnatimedia.com/portfolio.html

- To set up a blog:

Blogger.com and Typepad.com are two of the most popular free blog sites - most authors I know use one or the other. If you're writing YA or Children's books, LiveJournal and Myspace are useful. Check out other author blog sites for examples:

- Alexandra Sokoloff- http://thedarksalon.blogspot.com/
- JT Ellison
- Joe Konrath (prime example of informational blogging and the power of giving away free stuff - plus a goldmine of info on marketing and publishing. Good for fiction and non-fiction http://jakonrath.blogspot.com/
- Heather Brewer (http://www.heatherbrewer.com/bleedingink/ ; (Heather also does a blog from her character’s POV)
- Tess Gerritsen (bestselling) http://www.tessgerritsen.com/blog/
- Allison Brennan (new romantic suspense) http://www.allisonbrennan.com/blog/index.php
- Crimespot (links to all major and not-so-major mystery blogs) http://www.crimespot.net/

- Joining or creating a group blog (grog) takes the pressure of constantly creating blog posts off you, and also gives you more exposure.

Check out these very popular examples of grogs (which are also great resources for publishing and marketing information)

- Murderati (mystery, horror, includes TV and film info as well as publishing) - http://www.murderati.typepad.com/ ;
- Naked Authors (nystery) http://www.nakedauthors.com/index.html
- Hey, There's a Dead Guy in the Living Room (mystery, and includes a publicist and bookseller in the lineup)
- The Lipstick Chronicles (chick lit)
- Squawk Radio (romance) http://squawkradio.com/
- The Debutante Ball (mainstream women’s fiction)

- Another great way to start establishing an Internet presence is simply to comment on other popular blogs in your genre.

Commenting intelligently on other blogs will get your own blog linked to higher-traffic blogs, and might get you invited to join one of the more popular group blogs. Posting on message boards like Backspace (all genres and non-fiction) and Shocklines. com (horror and dark fantasy) also helps build your Internet presence.


One of the best roads in to screen and TV writing is to win a fellowship or one of the major contests. I’ve listed titles and descriptions here – please Google for more info.

- The Disney Fellowship and Nickelodeon Writing Fellowship – winners get an actual job and hands-on training. The Nick Fellowship grooms writers to work on one of their shows.

- The Warner Bros Drama Writers Workshop and Comedy Writers Workshop – a fast-track way into TV staffing. You write your hour spec and submit. The get about 600 scripts a year; they pick 25 to interview, and choose 13 for the program. You write a second spec under their supervision, and they get you interviews with current CW netword and studio projects. About half of any given class gets hired on staff out of the program. Being in the program can get you a good agent if you don’t have one.

- For UC students and alumni, The Goldwyn Award is also major. There is huge industry competition for the first-place winner, and the Goldwyns heavily promote the winners. Just about every winner has been a WGA member and working in the industry within a year of winning.

- TVwriter.com and WriteSafe contests: many winners of these contests have gone on to industry jobs.

Saturday, February 24, 2007

Workshops, part 2

More about my hectic workshop week on Murderati, today.

Friday, February 23, 2007

John Marks, FANGLAND, and the Virtual Cocktail Party

TGIF, and Tasha's got John Marks over at Good Girls Kill For Money.

Come talk about vampires, literary horror and... what am I forgetting?

Oh right - sex. But then, "sex" and "Good Girls" is redundant.

Tuesday, February 20, 2007

Stoker Nominees - and yes, THE HARROWING!!

The Horror Writers Association has released the nominee list for Superior Achievement in horror (2006) and I'm thrilled that THE HARROWING was nominated for Best First Novel.

All this and Mardi Gras, too! Have a great one, everybody.

Full list below, and also, of course, the Bourbocam link so you can check out the party.



Headstone City by Tom Piccirilli (Bantam)
Lisey's Story by Stephen King (Scribner)
Ghost Road Blues by Jonathan Maberry (Pinnacle)
Pressure by Jeff Strand (Earthling)
Prodigal Blues by Gary A. Braunbeck (Cemetery Dance)

FIRST NOVEL Ghost Road Blues by Jonathan Maberry (Pinnacle)
The Keeper by Sarah Langan (William Morrow)
Bloodstone by Nate Kenyon (Five Star)
The Harrowing by Alexandra Sokoloff (St. Martins)

LONG FICTION Dark Harvest by Norman Partridge (Cemetery Dance)
Hallucigenia by Laird Barron (The Magazine of Fantasy
and Science Fiction)
Mama's Boy by Fran Friel (Insidious Publications)
Bloodstained Oz by Christopher Golden and James A. Moore (Earthling Publications)
Clubland Heroes by Kim Newman (Retro Pulp Tales)

SHORT STORY Tested by Lisa Morton (Cemetery Dance)
Balance by Gene O'Neill (Cemetery Dance)
Feeding the Dead Inside by Yvonne Navarro (Mondo Zombie)
FYI by Mort Castle (Masques V)
�31/10� by Stephen Volk (Dark Corners)

ANTHOLOGY Aegri Somnia: The Apex Featured Writer Anthology
edited by Jason Sizemore and Gill Ainsworth (Apex)
Mondo Zombie edited by John Skipp (Cemetery Dance)
Retro Pulp Tales edited by Joe Lansdale (Subterranean)
Alone on the Darkside edited by John Pelan (Roc)

FICTION COLLECTION Destinations Unknown by Gary Braunbeck (Cemetery
American Morons by Glen Hirshberg (Earthling
The Commandments by Angeline Hawkes (Nocturne Press)
The Empire of Ice Cream by Jeffrey Ford (Golden
Basic Black: Tales of Appropriate Fear by Terry
Dowling (Cemetery Dance)

NONFICTION Final Exits: The Illustrated Encyclopedia of How We
Die by Michael Largo (Harper)
Gospel of the Living Dead: George Romero's Visions of
Hell on Earth by Kim Paffenroth (Baylor Press)
Stephen King: Uncollected, Unpublished by Rocky Wood
(Cemetery Dance) Cinema Macabre edited by Mark Morris (PS Publishing)

POETRY Shades Fantastic by Bruce Boston (Gromagon Press)
Valentine: Short Love Poems by Corrine de Winter
(Black Arrow Press)
The Troublesome Amputee by John Edward Lawson (Raw Dog Screaming Press)
Songs of a Sorceress by Bobbi Sinha-Morey (Write
Words, Inc.)

Friday, February 09, 2007

It's the books, stupid

One of the interesting nuggets I took away from Left Coast Crime this weekend was from a panel on blogging. Several readers in the audience and on the panel expressed concern that authors were blogging so much it must be taking time away from their writing.

Well, given my paucity of recent posts I can’t be accused of that this month. I’ve found plenty of other ways to avoid writing, thank you very much.

No, actually, between plumbing issues and flu, I just haven’t been up for it, but now that I’m better I’m going to be better. Still, it was enlightening to hear that readers would far rather we put time into writing books than writing online (damn them!!).

My LCC wrap-up will be on Murderati tomorrow, so I won’t go into all that now. But I do have to say that conferences are worth every penny, even when the bill seems scary, because all your little excuses and procrastinations and mindblocks and petty terrors fall away and you realize: It’s the books, stupid. You have to write to have books. And then people can read them. You’re happy, they’re happy, everything’s happy.

Everything else is just white noise.

Back to the damn book, now.