Nanowrimo Prep: free mini-course!

As anyone who's read this blog knows, I do a Nanowrimo Prep series every October to help writers do some planning to get the most ouf of their November writing session. This year I'm going multi-media and doing it as a free mini-workshop on Teachable.com, with videos, assignments, and discussions to help you jump-start the book you're going to write this winter — and sell in the New Year! You can access the course here. Hope you can join!

Elements of Act One: SELMA - New video!

This week I'll go through Act I of SELMA to demonstrate the Story Elements we’ve been talking about, and then do some more general posts on the Elements of Act II before we go on to demonstrate thoses elements in several movies. 

 

Start with the Introduction to SELMA, here:

 

 

 

As we’ve been talking about, movies are traditionally structured in eight 15-minute sequences, for a 2-hour movie. That’s approximate! SELMA’s Sequence One is 16 minutes long.

 

In Act One you will tend to see these Key Elements:

 

Opening Image

Meeting the Hero/ine

The Hero/ine’s Special Skills

The Hero/ine’s Desire

The Opponent and Opponent’s Desire

The Hero/ine’s Ordinary World

The Inciting Incident or Call to Adventure

The Theme

The Stakes

Into the Special World

Introduction to Allies

 

We also may see:

 

Meeting the Mentor

Meeting the Love Interest

Bonding with Allies

Attacks by Opponent

 

SELMA packs a lot of those elements into Sequence One! Let’s see how the filmmakers manage it.

 

SELMA Sequence One video:

 

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                                          STEALING HOLLYWOOD

The workbook is a full course in writing a novel or script in any genre. All the tricks I’ve learned in my years of writing and teaching—includes ten full movie breakdowns.

 

STEALING HOLLYWOOD ebook    $3.99
STEALING HOLLYWOOD print   $15.99

 
WRITING LOVE

Writing Love is a shorter version of the workbook, using examples from love stories, romantic suspense, and romantic comedy - available in e formats for just $2.99.




- Amazon/Kindle
 
- Smashwords (includes online viewing and pdf file)

- Barnes & Noble/Nook

---------------------

You can also sign up to get free movie breakdowns here:

                Get free Story Structure extras and movie breakdowns

New Screenwriting Tricks for Authors video: Act I checklist!

From the Calendar of Canceled Cons:

Today I would have been in the Scottish Borders, teaching Screenwriting Tricks for Authors at the Borders Writing Forum. I had other workshops scheduled this year in Ireland, New Zealand, Australia and L.A. That’s a lot to miss out on!

I guess it’s no wonder I started doing videos of the workshop instead.

I’ve just finished the tenth video, an Act One Elements Checklist, and we’ve worked through all the essential story elements of Act I. Each video is just about 10 minutes long, with exercises that will take 15-20 minutes of your time and get you writing that book or script you’ve always wanted to write - and watching great movies that will inspire you to get it done.

At this rate, we’ll all have those books finished in no time!

Even writing full time on the first book in my new series, I’m managing one video a week, with many more to come. There was a steep learning curve with the editing software, and some of the equipment I could really use is still on backorder because of excessive demand in these days of Zoom - everything. Also I was sick for weeks, most likely with the thing, so doing anything productive is a minor miracle.

But I’ve finally realized that getting the workshop fully recorded is like writing a book. You just do one chapter at a time until it’s done. Right? Eventually you reach a state of critical mass where the book is more real than not real, and you can’t imagine not finishing.

Here’s the Introduction:

And here’s the very fevery Lesson #1.

If you’ve been keeping up, here’s the new one, an Act One Elements Checklist.

Each next video should play after the one you’re watching is finished, and these first ten will get you all the way through your own Act I.

This week I’m also sending out a newsletter with a very detailed breakdown of Act I of The Hunger Games, demonstrating all the essential story elements that we’ve been going through. If you’re on my Screenwriting Tricks mailing list you’ll get that automatically. If you get notifications from me through this blog, you may need to sign up for the STFA list to get those bonus materials. Don’t worry, you won’t get double notifications! 

Join mailing list

And of course, you can always get the full course from the workbooks, links below! 

In the meantime, stall safe and well! Craig and I are in lockdown in Scotland until the end of the month, when a couple of restrictions may be eased. I’m really grateful to have a First Minister who’s taking all precautions, with empathy and compassion. It makes all the difference in the world.

-        Alex

___________________________________________________________________

                                          STEALING HOLLYWOOD

The workbook is a full course in writing a novel or script in any genre. All the tricks I’ve learned in my years of writing and teaching—including ten full movie breakdowns.

 

STEALING HOLLYWOOD ebook    $3.99
STEALING HOLLYWOOD print   $15.99

 
WRITING LOVE

Writing Love is a shorter version of the workbook, using examples from love stories, romantic suspense, and romantic comedy - available in e formats for just $2.99.




- Amazon/Kindle
 
- Smashwords (includes online viewing and pdf file)

- Barnes & Noble/Nook

---------------------

You can also sign up to get free movie breakdowns here:

                Get free Story Structure extras and movie breakdowns

Writing in Lockdown - Screenwriting Tricks for Authors online

We’ve been in lockdown for six weeks. And that very first week, for some demon - I mean reason -  I almost immediately decided to record my Screenwriting Tricks for Authors workshop in short videos.

Probably because I had several upcoming workshops, more than usual, that were canceled/postponed due to lockdowns in various countries.

Or maybe I just knew deep down that only a pandemic could get me to focus long enough to actually get it done.

I’ve just finished the tenth video, doing one a week, with many more to come. Each is just about 10 minutes long, with exercises that will take 15-20 minutes of your time and get you writing that book or script you’re always wanted to write. Might as well get some great writing out of this!

It’s a lot of work, and I’m writing full-time on the first book in a new series at the same time. There was a steep learning curve with the editing software, and some of the equipment I could really use is still on backorder because of excessive demand in these days of Zoom - everything. 

Also I was sick for weeks, most likely with the thing, so doing anything productive is a minor miracle.

But I’ve finally realized that getting the workshop fully recorded is like writing a book. You just do one chapter at a time until it’s done. Right? Eventually you reach a state of critical mass where the book is more real than not real, and you can’t imagine not finishing.

Here’s the Introduction:

And here’s the very fevery Lesson #1. I should have been in bed!! Even the light looks hot. 

Each next video should play after the one you’re watching is finished.

Hope to see some of you posting in the Comments of the channel! I'm happily incorporating movie requests into the videos.

 And besides that, how's your lockdown going? Really hoping everyone is staying safe and well.

- Alex

___________________________________________________________________

                                          STEALING HOLLYWOOD

The workbook is a full course in writing a novel or script in any genre. All the tricks I’ve learned in my years of writing and teaching—including ten full movie breakdowns.

 

STEALING HOLLYWOOD ebook    $3.99
STEALING HOLLYWOOD print   $15.99

 
WRITING LOVE

Writing Love is a shorter version of the workbook, using examples from love stories, romantic suspense, and romantic comedy - available in e formats for just $2.99.


- Smashwords (includes online viewing and pdf file)

- Amazon/Kindle

- Barnes & Noble/Nook

- Amazon UK

- Amazon DE

---------------------

You can also sign up to get free movie breakdowns here:

                Get free Story Structure extras and movie breakdowns

Huge Huntress sale & new audiobook!

SHADOW MOON is now in print and audio!!

                

It’s been a longer time coming than expected, but we were working on a special audiobook for Shadow Moon, and - it’s here!   

Of course RC Bray is back (Voice Arts Award Winner for Huntress Moon) and produced the book with his new audiobook company, Blue Heron Audio - with male and female narration, this time.

You can get the audiobook here:

And the print version here:

I want to reward everyone for their patience, so here are a couple of great deals for you.

  

SHADOW MOON is FREE!

For November 8-11, you can get the ebook of Shadow Moon for free! The book is also available at www.FreeMysteryEbooks.com , where you can also download 29 other mystery titles for free (pick and choose, or in the US, download all the titles with just two clicks).

And for those of you who need to catch up…

BOOKS 1-5 OF THE HUNTRESS SERIES ON SALE

Books 1-5 in the series are also on sale for Kindle in November, 

Just 99 cents US - (through November 30)

And 99p UK (through November 10 only)

                                               Shop the series

So there you are - the entire series now available for a limited time at an incredible discount. I can't wait to hear what you think!

-        Alex

30 Free Thrillers - including Book of Shadows!

For Prime Day (July 15-16) I'm participating in a 30-thriller giveaway. You can pick and choose, or just go to the linked page, click the ADD ALL TO AMAZON CART button. and get all thirty delivered to your Kindle, including my witch thriller Book of Shadows. 

 https://www.freethrillerebooks.com

  

  Homicide detective Adam Garrett is already a rising star in the Boston police department when he and his cynical partner catch a horrifying case that could make their careers: the ritualistic murder of a wealthy college girl that appears to have Satanic elements.

The partners make a quick arrest when all evidence points to a troubled musician in a Goth band who was either dating or stalking the murdered girl. But Garrett's case is turned upside down when beautiful, mysterious Tanith Cabarrus, a practicing witch from nearby Salem, walks into the homicide bureau and insists that the real perpetrator is still at large. Tanith claims to have had psychic visions that the killer has ritually sacrificed other teenagers in his attempts to summon a powerful, ancient demon.

All Garrett's beliefs about the nature of reality will be tested as he is forced to team up with a woman he is fiercely attracted to but cannot trust, in a race to uncover a psychotic killer before he strikes again.

"A wonderfully dark thriller with amazing is-it-isn't-it suspense all the way to the end. Highly recommended." - Lee Child

"Sokoloff successfully melds a classic murder-mystery/whodunit with supernatural occult undertones." - Library Journal


"Compelling, frightening and exceptionally well-written, Book of Shadows is destined to become another hit for acclaimed horror and suspense writer Sokoloff. The incredibly tense plot and mysterious characters will keep readers up late at night, jumping at every sound, and turning the pages until they've devoured the book." - Romantic Times Book Reviews

"Fast-paced with strong characterizations, fans will enjoy this superb thriller, as Adam and the audience wonder if The Unseen could be the killer." - Publisher's Weekly


And here's a plus - the audiobook of Book of Shadows is narrated by RC Bray, my fantastic narrator from the Huntress series. Get it on Audible for $7.49 or 1 credit!

MORE ABOUT BOOK OF SHADOWS

It’s fascinating to me how when you write a book, everyone always assumes it’s about you. Few people get that sometimes, if not most times, when you write a book it’s about getting OUT of you. Just like reading is, right?



Book of Shadows is about a cynical Boston cop who teams up with a mysterious Salem witch to solve what looks like a Satanic murder.

So naturally everyone who reads it assumes that I’m a witch (that’s with a "w"). Oh, the interviewers don’t come right out and say it, but you know that’s what they’re asking.


Well, I’m not. Really. Not really. No more than any woman is a witch.
But I can’t deny that writing Book of Shadows was a really excellent opportunity for me to indulge some of my witchier nature. I wanted to dive right in and explore some of those things that make some men – and a lot of women – uncomfortable with feminine power, and feminine energy, and feminine sexuality, and feminine deity.



I was working up to this book for quite a while. I’ve been around practicing witches most of my life. That’s what happens when you grow up in California, especially Berkeley. Actually the Berkeley part pretty much explains why I write supernatural to begin with, but that’s another post. Those of you who have visited Berkeley know that Telegraph Avenue, the famous drag that ends at the Berkeley campus, is a gauntlet of clothing and craft vendors, artists, and fortunetellers, forever fixed in the sixties. Well, look a little closer, and you’ll see just how many pagans, Wiccans, and witches there actually are.

I’ve walked that gauntlet thousands of times in my life. It does something to your psyche, I’m telling you.



There was also the Renaissance Pleasure Faire, where I spent many summer days in my interestingly misspent youth. Renaissance Faires are teeming with witches (check out the Fortune Tellers’ Grove next time if you don’t believe me).

So even though I don’t actually practice, not in an organized covenish kind of way, I’ve been to a ceremony or two, and you could say I’ve been researching this book for quite some time. In fact, I think I’ve known I was going to write this book ever since I first saw a "Calling of The Corners," a Craft ceremony which is one of the ritual scenes I depict in "Book of Shadows." It’s one of the most extraordinary spiritual experiences I've ever had -- such elemental, feminine power.
And in everyday life, there some things that are just useful to know about the Craft.

I’m not much one for spells, I’m more of a meditator. But when I had to kick my evil tenants out of my rental house? A cleaning service was just not enough. You better believe that the second the locksmith was done changing the locks, I was down at the witch supply store, buying black and white candles (for protection and cleansing), and sage (smudge it for purification). I opened every window and swept the whole house widdershins (to the left, to dismiss) with a new broom dipped in salt and rosemary to dispel all lingering energy. Ritual works, and it doesn’t really matter what accoutrements you use; it’s really about the intention: in this case to cleanse, heal, and start over fresh.



Another concept of the Craft that I’ve always found particularly useful is Maiden, Mother, Crone. Those are the three aspects of the Goddess, and also the three phases of the moon, corresponding colors white, red and black. They represent the three cycles of a woman’s life – youth, womanhood and age – but women also pass through all three aspects every month when they’re menstruating, and knowing that has saved my life (and the lives of many of those around me) many a time.

The time right after your period is Maiden: you have a rush of estrogen, so you’re glowing, you’ve just dropped all that water weight, you have a ton of energy, and you’re – well, up for it. And men can sense it. Best time to snag a partner, although your choices might not be exactly the best in this phase of the cycle.



The Mother (also called Queen) phase of the month is around ovulation. You’re powerful, grounded, and can get a lot done, especially creatively, because of the pregnancy connotations. It’s a sexy time in a different way than Maiden, because there’s the extra knowledge 
that yes, you really can get pregnant right now.



The Crone phase is raging PMS and the "death" that a period often feels like. Wise people know to avoid you at this time unless they really want a faceful of truth, and I try not to schedule meetings, especially with men, when I’m in this phase. Best for me to be solitary and contemplative. And contain the damage.
But the things that come out of your mouth during this phase are the deep truth, even if they’re not pleasant, and if you remember to breathe, put the knife down, and pay attention to what you’re feeling and saying, you can learn a lot about your life and what you really need to be doing. Also your dreams will tend to be the most powerful, vivid, and significant in this phase. I know mine are.



I appreciate the earth/nature centeredness of the Craft. I like to be aware of whether the moon is waxing or waning, and focus on bringing things into my life during the waxing, and letting go of things (or people!) in the waning. And I like knowing that there is extra power and magic at the Solstices and Equinoxes; that knowledge makes me stop at least four times a year to consider what I really want to manifest in my life.

(Obviously I used all of that Moon knowledge and more in the Huntress Moon series, too…)

Let’s face it: I also like the clothes. With my hair, I’ll never be able to pull off the tailored look. I love lace and fishnets and velvet and sparkles and corsets and big jewelry. I love the candles and the scents and that every day has a color (today is white, if you’re wondering).
And there is another aspect of the Craft that has been truly important to me, spiritually. It’s about balance. I have never, ever bought the idea that God is male. It runs contrary to my entire experience of reality. I love you guys, really I do, but you’re only half the equation. I can’t see how an ultimate power could be anything but BOTH male and female. So the notion of a Goddess, in all Her forms, to me, completes the equation.



These days, we need all the feminine power we can get.

So how about you? What’s your take on witches? Are you familiar with the way witchcraft is actually practiced, or is that whole world completely mysterious to you? Or do you do the odd spell or two yourself?

-- Alexandra Sokoloff

Put your craft on autopilot: A Star is Born setpieces

Fourth of July weekend done! It’s officially summer! Yay!!  

We all love these lazy days, and we deserve a break, right? Summer is for vacations, and spa days, and - well, let’s face it - no one feels much like writing, do they? I know I’d much rather be bingeing Big Little Lies (the jury’s still out on Stranger Things 3…)

But why not do both? Be lazy and enjoy summer AND get some writing craft work in at the same time?

As some of you know, I’ve written several books on story structure and teach a popular story structure workshop when I have time - or when the location is so great that I can’t resist. Like this one on a cruise ship to the Caribbean in November, for example.

Writers usually buy the writing workbooks and take my workshops because they’re looking for specific help with their specific books. And that’s great. But I also try to emphasize that everyone can be practicing the techniques of the Three-Act, Eight-Sequence Structure and becoming a better storyteller pretty much all the time, practically by osmosis.

We went to a looooong party over the 4^th of July weekend, and nobody felt much like doing anything on Sunday, so Craig and the cat and I ended up finally watching the latest A Star is Born.

I talk a lot about story patterns (WHAT KIND OF STORY IS IT?) in my workshops, and one of the first things I do is encourage my students to identify the kind of story they’re writing. Because whatever story pattern you are writing (or patterns - there’s often more than one at work!), it’s always astonishingly useful to watch three or four movies of this story type in a row, to understand the specific structure of these stories and what elements we, the audience, keep coming back to see.

So that you can make sure to be hitting those elements in your own story, and even giving us the new or deeper take that will make your story a classic. Right?

We have many Hollywood examples of the “Star is Born” story. All four of the movies with that title (1937, 1954, 1976, 2018). Also What Price Hollywood (arguably the very first in the line), Funny Girl, and the TV show The Marvelous Mrs. Maisel, which is an extraordinarily good, and successful, example of this story type.

I have to admit that I am particularly drawn to this story pattern because of the thematic deal with the devil aspect of it. A Star is Born never ends happily, does it? It’s a Hobson’s Choice - the heroine is always forced into a choice between fame and love. And the implication of the story line is ALWAYS that the heroine achieves fame only by sacrificing love. Even worse, the story usually says, implicitly, that the love of her life has to die in order for her to achieve fame. Or maybe what it’s saying is that even if he loves her, a man would rather die than be eclipsed by a female star.

Hopefully Mrs. Maisel will be a little more modern about it - we’ll see!

So let’s say you have an idea for a Star is Born story of your own. If you watch three or four of these Star is Born stories for common elements, you can’t help but notice that there is a scene early on in each one of these movies/shows that you could call the “Star Power” scene:  a musical or acting tour de force that makes us understand that the heroine was born to do exactly this.

It’s unique in that the heroine doesn’t just expresses her DESIRE for fame (the classic musical I WANT song) - the scene specifically has to blow us away with the force of her talent in this climactic SETPIECE.

Funny Girl is a great example of making the Heroine's Desire concrete and visual. Musicals so often do this brilliantly, in song, staging and visuals. Early in the story, Barbra Streisand as Fanny Brice is fired from the chorus line of a vaudeville show because she's a terrible dancer, and, well, not exactly cover girl material. She tries to convince the producer to rehire her in a comic song ("I'm the Greatest Star") but gets thrown out of the theater anyway. Out in the alley, she makes a decision and storms back inside to try again, still singing - only to find the theater empty.  Then alone, out on stage, she has that moment that I'm sure every actor and singer and dancer in the history of the world has had - that moment of being alone on an empty stage with the entire vast history and awesome power of the theater around you. She is speechless, silenced 0 and then finishes the somg with a power and passion we haven't seen in her yet. We see, unequivocally, that she is a star.

And that turn gets her hired back. 

I love that Star Power scene and most of the rest of the movie - it's a much more entertaining and thoughtful take on the Star is Born story than the actual A Star is Born Streisand starred in in 1976.

The 2018 A Star is Born nails the Star Power scene for damn sure with Lady Gaga’s stellar turn of “La Vie En Rose” in the drag club.

Mrs. Maisel’s drunken foray into standup comedy is a fantastic, non-musical variation on the scene. Yeah, that upper Eastside housewife has the goods.

And of course in George Cukor’s 1954 A Star is Born, the iconic Judy Garland rendition of “The Man That Got Away” is not just a famous scene, but one of the best-known scenes in film history.

  

You can do this kind of scene comparison for any story question/problem you have in your own story. Screen three movies in the genre you’re writing and let the scenes those filmmakers came up with inspire you to create your own classic scenes.

Isn’t that a goal for some lazy summer writing?

So - what kind of story are you writing? And do you have other examples of the kinds of stories I've listed above, or other kinds of stories to add to the list?

- Alex

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If you'd like to to see more of these story elements in action, I strongly recommend that you watch at least one and much better, three of the films I break down in the workbooks, following along with my notes.

I do full breakdowns of The Matrix, The Wizard of Oz,  Chinatown, Harry Potter and the Sorcerer's Stone, Romancing the Stone, Sense and Sensibility, Four Weddings and a Funeral, Sea of Love, and The Mist - and act breakdowns of You've Got Mail, Jaws, Silence of the Lambs, Raiders of the Lost Ark in Stealing Hollywood.

I do full breakdowns of The Proposal, Groundhog Day, Sense and Sensibility, Romancing the Stone, Leap Year, Notting Hill, Four Weddings and a Funeral, Sea of Love, While You Were Sleeping and New in Town in Writing Love.

 

STEALING HOLLYWOOD ebook, $3.99    
STEALING HOLLYWOOD print, $14.99

- Smashwords (includes online viewing and pdf file)

- Amazon US

- Barnes & Noble/Nook

- Amazon UK

- Amazon DE

=====================================================


I also recommend that you sign up for my Story Structure mailing list to receive movie breakdowns, story structure articles, and other bonus materials.

(This mailing list is NOT the same as the RSS feed of the blog - you must opt in to this list to receive the extras mailings.)

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